







Rediscovering Black Portraiture
Peter Brathwaite, with contributions by Cheryl Finley, Temi Odumosu, and Mark Sealy
Join Peter Brathwaite on an extraordinary journey through representations of Black subjects in Western art, from medieval Europe through the present day.
āThese mirror images with their uncanny resemblances traverse space and time, spotlighting the black lives that have been silenced by the canon of western art, while also inviting us to interrogate the present.ā
āTimes (UK)
Since the beginning of the COVID-19 pandemic, Peter Brathwaite has thoughtfully researched and reimagined more than one hundred artworks featuring portraits of Black sittersāall posted to social media with the caption āRediscovering #blackportraiture through #gettymuseumchallenge.āĀ
Rediscovering Black Portraiture collects more than fifty of Brathwaiteās most intriguing re-creations. Introduced by the author and framed by contributions from experts in art history and visual culture, this fascinating book offers a nuanced look at the complexities and challenges of building identity within the African diaspora and how such forces have informed Black portraits over time. Artworks featured include The Adoration of the Magi by Georges Trubert, Portrait of an Unknown Man by Jan Mostaert, Rice n Peas by Sonia Boyce, Barack Obama by Kehinde Wiley, and many more. This volume also invites readers behind the scenes, offering a glimpse of the elegant artifice of Brathwaiteās props, setup, and process.Ā
An urgent and compelling exploration of embodiment, representation, and agency, Rediscovering Black Portraiture serves to remind us that Black subjects have been portrayed in art for nearly a millennium and that their stories demand to be told.
An exhibition of Brathwaiteās re-creations is on view at the Bristol Museum & Art Gallery in Bristol, UK from April 14 to September 3, 2023.
Peter Brathwaite is an acclaimed baritone who performs in operas and concerts throughout Europe. He is a presenter on BBC Radio 3 and has been shortlisted for a Royal Philharmonic Society Award. Cheryl Finley is inaugural distinguished visiting director of the Atlanta University Center Art History and Curatorial Studies Collective and the author of Committed to Memory: The Art of the Slave Ship Icon (2018). Temi Odumosu is an art historian, curator, and assistant professor at University of Washington Information School and the author of Africans in English Caricature 1769ā1819: Black Jokes, White Humour (2017). Mark Sealy is director of Autograph and professor of photography, race, and human rights at University of the Arts London. His numerous publications include Different (2001), coauthored with Stuart Hall; Decolonising the Camera: Photography in Racial Time (2019); and Photography: Race, Rights, and Representation (2022).
ā[This] book represents a powerful engagement with the critical issue of race in the history of western art and how modern black spectators can find themselves, so to speak, within the visual dimension both past and present. The photographic quality is first-rate.ā
āAlbrecht Classen, Mediaevistik
Ā
āIngenious recreations of artworks featuring Black sitters from throughout art history.ā
āV&A Magazine
āThis publication will captivate readers and inspire meaningful dialogue about the transformative potential of art in shaping our understanding of the world.ā
āARLIS/NA
āRediscovering Black PortraitureĀ is a delight to browse through and instructively thought-provoking for readers with an interest in Black Pop Culture Artwork and Photography.ā
āMidwest Book Review
āPeter Brathwaiteās oeuvre defies neat categorization: Is it art, performance, autobiography, or art historical essay? He has blended these modes to make work that is joyful, original, and poignant. It is important and timely. To restage Black portraiture, from the Domesday Book to Kehinde Wiley, Brathwaite gets inside the lives and worlds of each sitter and brilliantly rediscovers, reclaims, and re-presents Black (art) history for modern audiences. His empathetic performances give agency to the people portrayed and breathe warmth and life into what was previously frozen; he reminds us that Black historical lives matter too.ā
āLucy Peltz, Head of Collections Displays (Tudor to Regency) and Senior Curator, 18th Century Collections, National Portrait Gallery
āA truly compelling visual feast that reanimates the archives of Black portraiture in the present. Brathwaite brings lost souls back into view in a meditation on Black presence within artās histories. Accompanied by a moving commentary on his own experiences as what he terms āa rare breedā of Black British opera singer encountering career-long racism, Brathwaite retells narratives of Black historical subjects in order to return dignity and agency to their otherwise so-often āsubmerged livesā.Ā Essays from renowned scholars Cheryl Finley, Temi Odumosu and Mark Sealy amplifyĀ Brathwaiteās sensitive and poetic narrative account, as well as the extraordinarily vibrant and ambitious photographic reconstructions of historic artworks reproduced here in glorious colour. This is one of the most moving and joyous aesthetic legacies of Covid times and a triumph of creative endeavour.ā
āProfessor Dorothy Price FBA, Professor of Modern and Contemporary Art and Critical Race Art History, Courtauld Institute of Art
āBrathwaiteĀ brings a novel innovative way into considering the Black presence in art, creating another dimension to consider and reflect on the original work, helping us not just to engage more deeply with the composition and its subject but bringing the Black presence to life, re-creating it for us today in a thoroughly modern and highly relevant mannerāan exciting Black visual tour de force!ā
āMichael I. Ohajuru FRSA
āEver since I first stumbled across Peterās portraits on Twitter, Iāve been captivated by his sharp wit, innovative costuming, rich range of visual reference, and the sheer joy of each image. This is a book that will enchant and intrigue and educate. Iām thrilled by the beauty and fun and history on every page.ā
āSamira Ahmed, BBC broadcasterĀ Ā
āThis highly entertaining book is a breathtaking visual explosion in which Brathwaite reimagines a wide variety of portraits of Black people in a stunningly creative way. This brilliant concept is not only an original visual treat but also an important historical work that focuses on Black portraiture across the centuries.ā
āBaroness Floella Benjamin DBE, actress, presenter, broadcaster, and parliamentarian
168 pages
7 1/2 x 9 3/8 inches
155 color illustrations
ISBN 978-1-60606-816-8
hardcover
Getty Publications
Imprint:Ā Getty Publications
2023
Rediscovering Black Portraiture Promo video_v2 from Getty Publications on Vimeo.
Original: $40.00
-65%$40.00
$14.00Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Peter Brathwaite, with contributions by Cheryl Finley, Temi Odumosu, and Mark Sealy
Join Peter Brathwaite on an extraordinary journey through representations of Black subjects in Western art, from medieval Europe through the present day.
āThese mirror images with their uncanny resemblances traverse space and time, spotlighting the black lives that have been silenced by the canon of western art, while also inviting us to interrogate the present.ā
āTimes (UK)
Since the beginning of the COVID-19 pandemic, Peter Brathwaite has thoughtfully researched and reimagined more than one hundred artworks featuring portraits of Black sittersāall posted to social media with the caption āRediscovering #blackportraiture through #gettymuseumchallenge.āĀ
Rediscovering Black Portraiture collects more than fifty of Brathwaiteās most intriguing re-creations. Introduced by the author and framed by contributions from experts in art history and visual culture, this fascinating book offers a nuanced look at the complexities and challenges of building identity within the African diaspora and how such forces have informed Black portraits over time. Artworks featured include The Adoration of the Magi by Georges Trubert, Portrait of an Unknown Man by Jan Mostaert, Rice n Peas by Sonia Boyce, Barack Obama by Kehinde Wiley, and many more. This volume also invites readers behind the scenes, offering a glimpse of the elegant artifice of Brathwaiteās props, setup, and process.Ā
An urgent and compelling exploration of embodiment, representation, and agency, Rediscovering Black Portraiture serves to remind us that Black subjects have been portrayed in art for nearly a millennium and that their stories demand to be told.
An exhibition of Brathwaiteās re-creations is on view at the Bristol Museum & Art Gallery in Bristol, UK from April 14 to September 3, 2023.
Peter Brathwaite is an acclaimed baritone who performs in operas and concerts throughout Europe. He is a presenter on BBC Radio 3 and has been shortlisted for a Royal Philharmonic Society Award. Cheryl Finley is inaugural distinguished visiting director of the Atlanta University Center Art History and Curatorial Studies Collective and the author of Committed to Memory: The Art of the Slave Ship Icon (2018). Temi Odumosu is an art historian, curator, and assistant professor at University of Washington Information School and the author of Africans in English Caricature 1769ā1819: Black Jokes, White Humour (2017). Mark Sealy is director of Autograph and professor of photography, race, and human rights at University of the Arts London. His numerous publications include Different (2001), coauthored with Stuart Hall; Decolonising the Camera: Photography in Racial Time (2019); and Photography: Race, Rights, and Representation (2022).
ā[This] book represents a powerful engagement with the critical issue of race in the history of western art and how modern black spectators can find themselves, so to speak, within the visual dimension both past and present. The photographic quality is first-rate.ā
āAlbrecht Classen, Mediaevistik
Ā
āIngenious recreations of artworks featuring Black sitters from throughout art history.ā
āV&A Magazine
āThis publication will captivate readers and inspire meaningful dialogue about the transformative potential of art in shaping our understanding of the world.ā
āARLIS/NA
āRediscovering Black PortraitureĀ is a delight to browse through and instructively thought-provoking for readers with an interest in Black Pop Culture Artwork and Photography.ā
āMidwest Book Review
āPeter Brathwaiteās oeuvre defies neat categorization: Is it art, performance, autobiography, or art historical essay? He has blended these modes to make work that is joyful, original, and poignant. It is important and timely. To restage Black portraiture, from the Domesday Book to Kehinde Wiley, Brathwaite gets inside the lives and worlds of each sitter and brilliantly rediscovers, reclaims, and re-presents Black (art) history for modern audiences. His empathetic performances give agency to the people portrayed and breathe warmth and life into what was previously frozen; he reminds us that Black historical lives matter too.ā
āLucy Peltz, Head of Collections Displays (Tudor to Regency) and Senior Curator, 18th Century Collections, National Portrait Gallery
āA truly compelling visual feast that reanimates the archives of Black portraiture in the present. Brathwaite brings lost souls back into view in a meditation on Black presence within artās histories. Accompanied by a moving commentary on his own experiences as what he terms āa rare breedā of Black British opera singer encountering career-long racism, Brathwaite retells narratives of Black historical subjects in order to return dignity and agency to their otherwise so-often āsubmerged livesā.Ā Essays from renowned scholars Cheryl Finley, Temi Odumosu and Mark Sealy amplifyĀ Brathwaiteās sensitive and poetic narrative account, as well as the extraordinarily vibrant and ambitious photographic reconstructions of historic artworks reproduced here in glorious colour. This is one of the most moving and joyous aesthetic legacies of Covid times and a triumph of creative endeavour.ā
āProfessor Dorothy Price FBA, Professor of Modern and Contemporary Art and Critical Race Art History, Courtauld Institute of Art
āBrathwaiteĀ brings a novel innovative way into considering the Black presence in art, creating another dimension to consider and reflect on the original work, helping us not just to engage more deeply with the composition and its subject but bringing the Black presence to life, re-creating it for us today in a thoroughly modern and highly relevant mannerāan exciting Black visual tour de force!ā
āMichael I. Ohajuru FRSA
āEver since I first stumbled across Peterās portraits on Twitter, Iāve been captivated by his sharp wit, innovative costuming, rich range of visual reference, and the sheer joy of each image. This is a book that will enchant and intrigue and educate. Iām thrilled by the beauty and fun and history on every page.ā
āSamira Ahmed, BBC broadcasterĀ Ā
āThis highly entertaining book is a breathtaking visual explosion in which Brathwaite reimagines a wide variety of portraits of Black people in a stunningly creative way. This brilliant concept is not only an original visual treat but also an important historical work that focuses on Black portraiture across the centuries.ā
āBaroness Floella Benjamin DBE, actress, presenter, broadcaster, and parliamentarian
168 pages
7 1/2 x 9 3/8 inches
155 color illustrations
ISBN 978-1-60606-816-8
hardcover
Getty Publications
Imprint:Ā Getty Publications
2023
Rediscovering Black Portraiture Promo video_v2 from Getty Publications on Vimeo.












