






Manet and Modern Beauty: The Artist's Last Years
Edited by Scott Allan, Emily A. Beeny, and Gloria Groom
âšThe name Manet evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafĂ©s. Often dismissed as too pretty and superficial by critics, these later works reflect Manetâs elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artistâs unapologetic embrace of beauty and visual pleasure in the face of death.
Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artistâs correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artistâs oeuvre.
This volume is published to accompany an exhibition on view at the Art Institute of Chicago May 26 to September 8, 2019, and at the J. Paul Getty Museum at the Getty Center October 8, 2019, to January 12, 2020.
Scott Allan is associate curator of paintings at the J. Paul Getty Museum and coauthor, with Ădouard Kopp, of Unruly Nature: The Landscapes of ThĂ©odore Rousseau (Getty Publications, 2016). Emily A. Beeny, former associate curator of drawings at the J. Paul Getty Museum, is curator in charge of European paintings at the Fine Arts Museums of San Francisco. Gloria Groom, chair of European painting and sculpture and David and Mary Winton Green Curator at the Art Institute of Chicago, is a renowned scholar of late nineteenth-century French painting.
âThis large, richly illustrated and highly informative catalogue will become an essential addition to the literature on Manet and can be enjoyed by experts and non-specialists alike.â
âAlexander Adams Art
âA ïŹne catalogue that does justice to the works and opens up new perspectives on Manet.â
âMichĂšle Hannoosh, The Art Newspaper
400 pagesâš
9 5/8 x 11 3/8 inches
206 color and 97 b/w illustrations, 1 table
âšISBN 978-1-60606-604-1
hardcover
âš
Getty Publications
Imprint: J. Paul Getty Museum Â
2019
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Edited by Scott Allan, Emily A. Beeny, and Gloria Groom
âšThe name Manet evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafĂ©s. Often dismissed as too pretty and superficial by critics, these later works reflect Manetâs elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artistâs unapologetic embrace of beauty and visual pleasure in the face of death.
Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artistâs correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artistâs oeuvre.
This volume is published to accompany an exhibition on view at the Art Institute of Chicago May 26 to September 8, 2019, and at the J. Paul Getty Museum at the Getty Center October 8, 2019, to January 12, 2020.
Scott Allan is associate curator of paintings at the J. Paul Getty Museum and coauthor, with Ădouard Kopp, of Unruly Nature: The Landscapes of ThĂ©odore Rousseau (Getty Publications, 2016). Emily A. Beeny, former associate curator of drawings at the J. Paul Getty Museum, is curator in charge of European paintings at the Fine Arts Museums of San Francisco. Gloria Groom, chair of European painting and sculpture and David and Mary Winton Green Curator at the Art Institute of Chicago, is a renowned scholar of late nineteenth-century French painting.
âThis large, richly illustrated and highly informative catalogue will become an essential addition to the literature on Manet and can be enjoyed by experts and non-specialists alike.â
âAlexander Adams Art
âA ïŹne catalogue that does justice to the works and opens up new perspectives on Manet.â
âMichĂšle Hannoosh, The Art Newspaper
400 pagesâš
9 5/8 x 11 3/8 inches
206 color and 97 b/w illustrations, 1 table
âšISBN 978-1-60606-604-1
hardcover
âš
Getty Publications
Imprint: J. Paul Getty Museum Â
2019












